1 / 4这条提示词好在哪里
- 风格与媒介
- realisticminimal
- 光线
- natural light
保留这些关键词即可延续画面风格，替换主体就能变成你自己的作品。
- 词数
- 221
- 画幅
- 4:3
- 生成模型
- GPT Image
如何使用这条提示词
- 1
载入生成器
点击“使用此提示词”，文本、模型和参考图会自动填好。
- 2
改成你自己的
替换主体、配色或场景，保留风格和光线描述以延续画面质感。
- 3
对比模型
把同一提示词同时发给最多 4 个模型并排对比，留下最好的结果。
可以尝试的变体
换一种媒介
A [person type] standing full-body near the edge of the frame, slightly to the left, in [real-world incomplete / empty / damaged environment]. The camera is positioned behind and slightly to the right of the person, capturing them from a three-quarter rear angle. The person stands calmly and thoughtfully, looking toward the space ahead. The environment is [describe the real space as it exists now: empty, unfinished, decayed, rigid, lifeless]. The atmosphere feels [emotional tone: quiet, dry, historical, minimal, raw]. Natural light illuminates the scene, creating realistic shadows and depth. Floating hand-drawn sketch lines appear over and within the environment, aligned precisely in perspective with the real space. These sketches represent [what is missing / what once existed / what could exist in the future]. The sketch lines are black, clean, and hand-drawn, resembling [architectural / interior / restoration / urban planning] concept sketches made with pencil or ink. The strokes are expressive, slightly imperfect, and organic — not rigid or mechanical. The sketched elements occupy the foreground and midground, appearing closer to the person than expected. Some sketch lines subtly overlap the person’s silhouette and the real surfaces, visually merging imagination with reality. The sketches float naturally within the scene, seamlessly blending with the environment and conveying the idea of [vision / restoration / transformation / potential] coming to life, reimagined as a soft watercolor illustration with visible paper texture
换一种光线
A [person type] standing full-body near the edge of the frame, slightly to the left, in [real-world incomplete / empty / damaged environment]. The camera is positioned behind and slightly to the right of the person, capturing them from a three-quarter rear angle. The person stands calmly and thoughtfully, looking toward the space ahead. The environment is [describe the real space as it exists now: empty, unfinished, decayed, rigid, lifeless]. The atmosphere feels [emotional tone: quiet, dry, historical, minimal, raw]. Natural light illuminates the scene, creating realistic shadows and depth. Floating hand-drawn sketch lines appear over and within the environment, aligned precisely in perspective with the real space. These sketches represent [what is missing / what once existed / what could exist in the future]. The sketch lines are black, clean, and hand-drawn, resembling [architectural / interior / restoration / urban planning] concept sketches made with pencil or ink. The strokes are expressive, slightly imperfect, and organic — not rigid or mechanical. The sketched elements occupy the foreground and midground, appearing closer to the person than expected. Some sketch lines subtly overlap the person’s silhouette and the real surfaces, visually merging imagination with reality. The sketches float naturally within the scene, seamlessly blending with the environment and conveying the idea of [vision / restoration / transformation / potential] coming to life, during golden hour with warm low sunlight and long soft shadows
海报版式
A [person type] standing full-body near the edge of the frame, slightly to the left, in [real-world incomplete / empty / damaged environment]. The camera is positioned behind and slightly to the right of the person, capturing them from a three-quarter rear angle. The person stands calmly and thoughtfully, looking toward the space ahead. The environment is [describe the real space as it exists now: empty, unfinished, decayed, rigid, lifeless]. The atmosphere feels [emotional tone: quiet, dry, historical, minimal, raw]. Natural light illuminates the scene, creating realistic shadows and depth. Floating hand-drawn sketch lines appear over and within the environment, aligned precisely in perspective with the real space. These sketches represent [what is missing / what once existed / what could exist in the future]. The sketch lines are black, clean, and hand-drawn, resembling [architectural / interior / restoration / urban planning] concept sketches made with pencil or ink. The strokes are expressive, slightly imperfect, and organic — not rigid or mechanical. The sketched elements occupy the foreground and midground, appearing closer to the person than expected. Some sketch lines subtly overlap the person’s silhouette and the real surfaces, visually merging imagination with reality. The sketches float naturally within the scene, seamlessly blending with the environment and conveying the idea of [vision / restoration / transformation / potential] coming to life, composed as a minimalist vertical poster with generous negative space
